Velkommen til filmvisning på Cinemateket søndag 7. april kl 18!

Kunstner og Cinemateket-maskinist, Greg Pope, har kuratert et program som viser filmer skapt med teknikker og fremgangsmåter som relaterer til grafikk på ulike måter. The Dream That Kicks er Cinematekets visningskonsept for kunstfilm, avantgardefilm og videokunst, og går én søndag i måneden.

 

In collaboration with Norske Grafikere, a selection of amazing works produced with a range of techniques, many particular to the artist. Creative strategies include printing colour variations, investigation with an electron microscope, drawing with light using computerised devices, and the assemblage of downloaded images. These pieces constitute a beautiful bouquet of mind blowing films emphasising the connection between graphic composition and the construction of images in time.

Yantra (US / 16mm /1950-57/ 8mins) James Whitney
Influenced by Jungian psychology, alchemy, yoga, Tao, and Krishnamurti, Whitney spent seven years making this hypnotic masterpiece.

Dresden Dynamo (UK / 16mm / 1971/ 5 mins) Lis Rhodes
Graphic images create their own sound by extending into that area of film which is ‘read’ by optical sound equipment.

Elli ( NL /16mm / 2015-16/ 8 mins) Ester Urlus
The camera looks out at the sea as Urlus experiments with optical colour printing and overlays using various flicker effects.

Set (US / 16mm / 2016/ 10mins) Peter Miller
A collective sunset created using thousands of downloaded individual images.

Atlas (BE/ 16mm/ 2016/ 6.5 mins) Anouk De Clercq
A macroscopic tale of the world; exploring the surface of a single frame of 16mm film through an electron microscope

#11 Marey ↔Moiré (NL/35m / 1999 / 21mins) Joost Rekveld
A result of Rekveld’s deep inquiries into the origins of cinema, early optical experiments and the search for pure film. We are taken on a kaleidoscopic voyage through a labyrinth of multiple rotating lines, moving intersections and immense colour palettes.

 

Kjøp billetter her: https://www.cinemateket.no/filmer/strategies-for-composing-in-optical-time